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Post by Level 03 on Aug 19, 2009 23:38:12 GMT -5
Ohhhh please stop all your business from Third Eye Blind... Of course I was a fan during my "American Pie" period"... Grow up ! This kind of music is just a fuking shit. Can't wait for the new UNKLE album... this kind of thing who give you a reflexion about music. I just said that, just for you. just for helping you.... Just for you : Please... stop it about this band... it's fuking ridiculous. Anyway.. I find this movie great whan I was 14 yea
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Post by Level 03 on Aug 19, 2009 23:32:49 GMT -5
Ohhhh please stop all your business from Third Eye Blind... Of course I was a fan during my "American Pie" period"...
Grow up ! This kind of music is just a fuking shit.
Can't wait for the new UNKLE album... this kind of thing who give you a reflexion about music.
I just said that, just for you. just for helping you....
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Post by Level 03 on Aug 19, 2009 23:28:00 GMT -5
Semi charmed Life...
I liked it... when I was 14 years old...
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Post by Level 03 on Aug 19, 2009 22:40:03 GMT -5
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Post by Level 03 on Aug 19, 2009 20:51:40 GMT -5
I think real music is coming now from England (but not good as past) and from Norway... band from Norway (and Nordic area) are really amazing.
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Post by Level 03 on Aug 19, 2009 20:49:11 GMT -5
It's an american band..... lol
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Post by Level 03 on Aug 19, 2009 20:47:47 GMT -5
Is it a real shit ? yes
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Post by Level 03 on Aug 19, 2009 20:41:55 GMT -5
It was amazing : Lisandro Lopez is the MAN.
I've got a good hope this year with that man in my team.
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Post by Level 03 on Aug 17, 2009 14:44:58 GMT -5
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Post by Level 03 on Aug 14, 2009 21:58:34 GMT -5
My last sleeve design : A great compilation... with magic sounds from north. Sample :
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Post by Level 03 on Aug 14, 2009 19:52:35 GMT -5
Absolutely amazing 60 000 chors... it was the best moment from the live.
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Post by Level 03 on Aug 14, 2009 19:48:37 GMT -5
I really dont know what was wrong during the first night ? The sound break during Wonderwall ? Fuck... it was amazing... 60 000 singing the song without sound from the band... so magical. It was the best moment from the show.
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Post by Level 03 on Aug 14, 2009 19:45:05 GMT -5
My personal pics First night : So exactly the same as the next nights...
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Post by Level 03 on Aug 14, 2009 19:43:20 GMT -5
What is the real problem between the 9th night and the rest ?
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Post by Level 03 on Aug 14, 2009 19:38:40 GMT -5
A lot for me...
How to be a real man and good taste in music.
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Post by Level 03 on Aug 12, 2009 21:40:06 GMT -5
D-8 before the AVATAR DAY.A free preview of 15 min from the movie will be available in all the 3D cinemas in the world. The 21/08 the teaser will be here. More information here : www.avatarmovie.com/Awesome preview from the James Horner original soundtrack here. This movie is gonna be simply awesome. Go ahead, fire away, I’m your guy.” That’s the first thing James Cameron said to me, and I had to smile – I certainly had plenty to ask him about. I had just sat down and watched about 35 minutes of footage from “Avatar” and, to put it bluntly, I was dazzled. I saw more footage than fans at Comic-Con International (I saw, for instance, a tense scene toward the end of the film as Sam Worthington’s character, Jake Sully, is made a prisoner on the alien world of Pandora) and even found out how the film ends (don’t worry, no spoilers here). But let's get to it -- this is Part 1 of the Hero Complex interview with Oscar-winner Cameron, the 54-year-old Canadian filmmaker whose 20th Century Fox sci-fi epic "Avatar" reaches theaters on Dec. 18. GB: Jim, congratulations on the film, it’s very, very compelling. I'm excited to see it in its entirety and even more excited to talk to you about it. JC: Well, thanks; I’m really glad you liked it. And that’s what we were hoping for. We’ve been working like crazy on this for a long time. And what we want is for people to like it, so that’s nice to hear. GB: I have to say it was refreshing to see a big, special effects film that was not based on a bestselling novel, a comic book, toy, old television show. That’s rare these days, and it’s a treat to go in, sit down and have no idea where the plot and the characters were going to go. JC: It’s simultaneously one of the great strengths and one of the potential weaknesses. We have no brand value. We have to create that brand value. “Avatar” means something to that group of fans that know this film is coming, but to the other 99% of the public it’s a nonsense word and we have to hope we can educate them. Well, I shouldn’t say a nonsense word – it doesn’t mean anything specific in terms of a brand association. And in fact there may be even a slight negative one because more people know about the Saturday morning cartoon, the anime, than about this particular film. We’ve got to create that [brand] from scratch. On the other hand, ultimately, it is probably the film’s greatest strength in the long run. We’ve had these big, money-making franchise films for a long time, “Star Trek” and “Star Wars,” you know, “Harry Potter,” and there’s a certain sort of comfort factor in that; you know what you’re going to get. But there’s no kind of shock of the new that’s possible with that. It’s been a while since something that took us on a journey, something that grabbed us by the lapels and dragged us out the door and took us on a journey of surprise. GB: “The Matrix” immediately springs to mind… JC: Yes, yes, that’s a very, very good example. That’s something where we had no real way of knowing what that film was going to be about and it really just took us on a great ride. GB: And like “The Matrix,” this movie presents this immersive experience. The alien world and the technology you’re using to tell the story, it’s a big movie …. JC: The story is told very much from character. You go on Jake’s journey with him. It actually starts quite small. It starts close to him, in his apartment with him, and it just expands and expands in scope as it goes along. GB: I smiled at the “You’re not in Kansas anymore" line when the main character reaches the alien world. There really is this “Wizard of Oz” sense of transportation when the story reaches the planet of Pandora. JC: Yeah. It’s my favorite movie; I had to get it in there somewhere. The production designer was Rick Carter, who actually played that out. He thought how it was, in some ways, like Dorothy’s journey. I didn’t quite get as much of that [when I first wrote it]. You do things sometimes as a writer subconsciously, things you’re not even aware of. I’m always comfortable doing things instinctively because I see it as taping into this vein of archetype that works for a broader audience base. I don’t question what I’m doing if it feels right. There might be some other references there I might not be aware of. GB: You wrote the first script for this film almost 15 years ago. While you were waiting for technology to reach the point where it could be made, I’m curious how much of that very earliest story remained intact. JC: I had to rework to make it possible. My treatment was so expansive and novelistic that it needed to be necked down just to make it something that could be done on the screen. This film is done on an epic scale, but it's done within the parameters of a Hollywood movie. What I found is that instead a script I had written the outline of a novel, and it was just too much story, too much back story, too many secondary characters … but look, sometimes lightning just strikes; you have write everything down, get it done. Better to weed it out later and not miss an idea. It was essentially the longest script, in terms of the amount of time it took me to get a workable draft. The first time I tried, it ended up being more than 200 pages, so I had to go back and throw out big chunks, a lot of ideas went out. But I have to say the essence of all the big ideas stayed and I felt pretty good about that. GB: The heritage of the project and the mystery of it, since it’s not an adaptation, have created this fairly intense interest among the fanboy sector. That was obvious with the interest leading up to Comic-Con International. Do you feel you have to win fans over now to create the sort of success you want for this movie? JC: I think there are no real negatives because we aren’t going to get prejudged like “Watchmen” or even a Batman or Spider-Man movie because you don’t have all that history and that huge, brand-based mythology that you have to live up to. We aren’t going to piss anybody off because they don’t know what this thing is. Nobody read the novel, nobody read the graphic novel, we’re not going to be playing against expectation. They aren’t going to be viewing us as a disappointment or letdown before the movie even starts. This is a doorway and they don’t know what’s on the other side. We’re going to open it for them. There are a lot of fans of this kind of science fiction and fantasy film, and I think it's pretty fertile soil for us. I don’t want to sound like, you know, ‘Pride goeth before the fall,” or too much hubris, but I think we get those fans to support this. I think our greater challenge is the wider public, which isn’t as predisposed to embrace the movie like those fantasy and sci-fi fans. We need to talk to that audience and make them believe that this is a must-see even if they aren’t sci-fi fans. And I’m not putting down Comic-Con fans. When I go down there I’m among my peeps. It’s a great place to unveil “Avatar.” -- Geoff Boucher
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Post by Level 03 on Aug 12, 2009 18:33:21 GMT -5
I tought the first time it was Tim Burgess from Primal Scream solo album. But this album is very great !
Thank
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Post by Level 03 on Aug 10, 2009 17:30:36 GMT -5
STELLIFY FIRST RADIO & VIDEO PLAY
Don’t forget Stellify gets its first play on the radio tonight on Zane Lowe’s Radio 1 show between 7-9pm. You can then head over to Football365 to see the cracking new video for the track.
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Post by Level 03 on Aug 10, 2009 17:29:56 GMT -5
www.myspace.com/ianbrownThe FIRST 4 TRACKS from IAN BROWN’S new album MY WAY are AVAILABLE to download from midnight TONIGHT at iTunes as the Stellify EP. What’s more, if you download all 4 you will automatically be given access to an EXCLUSIVE 48HR PRE-SALE WINDOW to get your hands on TICKETS for the forthcoming WINTER TOUR BEFORE ANYONE ELSE. Click HERE from midnight to download the Stellify EP featuring the following tracks, all taken from the forthcoming album My Way: * Stellify * Crowning Of The Poor * For The Glory * Marathon Man Downloads before 17th August will all receive an email from iTunes with your unique password and the link to purchase your pre-sale tickets for the 2009 Winter Tour before they go onsale anywhere else.
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Post by Level 03 on Aug 8, 2009 21:06:54 GMT -5
No surprise....
Blue Pacific Ocean is the last track from the Verve... And unreleased... This track is probably better than the last album...
Richard Ashcroft still great... But it's a shame for the Verve...
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Post by Level 03 on Aug 8, 2009 19:19:42 GMT -5
From James Lavelle official blog, about new album, Oasis in Wembley and more :
Apologies to all for my absence over the last month it has been pretty crazy. Planes, trains and studios and a flu I’ve just not been able to shake off.
So what’s been going on in my world?
I think from where we last left off the first main thing that happened is that I spent time in Brighton recording drums with Mike Pelanconi of Drum Drops’ fame (the motherfucking beatman) and two drummers who will feature on most of the tracks on the new album: Graham Fox the Joe Strummer of hitters from his look, voice and his attitude and Joshua Block of White Denim fame. I spent a total of nine days, between myself Pablo and James locked in a bunker experiencing moments of ‘Das Boat’ towards the end, recording all the new drums for the record, a truly amazing experience even if slightly brain damaging after hearing the beats for 12 hrs a day! Luckily there were a few breaks for me including Ibiza with Carl Cox in which I played at the opening of his night on the terrace at Space, which as always was great. That said you could definitely feel that the island nightlife is hurting this season. I thought Tiesto’s unannounced free gig on the same night was a pretty low blow but a sign of the times. A lot of what that island is becoming club wise is not what I remember about the good times.
After that I was in London for a bit whilst Lorna worked with Nike on an INSA show at the 1948 space. It was good to catch up with a lot of old friends on the opening night, a lot of old school Mo Wax heads who I’ve not seen for a long time and it was good fun watching my daughter helping spray paint logos pre the show. Next up saw Lisa’s band “Dark Horses” support Kasabian at Brixton Academy – she is truly talented and I was really impressed as it was one of her first shows, the music sounded amazing especially her voice. It was a great visual show as well.
I’ve also been spending a lot of time during this period working on new artwork ideas with Ben, Warren and Nick. I met up with Paul Williams the director of London to Brighton about working on his new film and I recorded Phillip Sheppard for the new Vertu ringtones, which we have created the music for. It is currently being mixed.
I went to see Oasis at Wembley the other week, which is always a good laugh, Noel was as hospitable as ever. Then after that I played Ministry of Sound for the GU CD launch with Agoria. This was the first time I have ever played the main room there and I have to admit I have been slightly dubious about playing there in the past but I had an amazing night. The crowd were great and I was surprised by how open minded they were – there was a really fun energy in the room, great hospitality and great to see Sebastian – it has been too long since we have played together and it always works really well.
We are putting out “Heavy Drug” as a single in August; the version, which is on GU’s Bangkok CD out soon. I have been doing promo and getting remixes together and also doing press for global underground including radio interview and magazine shit!
Most recently over the weekend I spent Saturday at my best girl friend’s wedding so congratulations and ever lasting love to Kate and Ed a truly amazing day. Also having the honour to watch my daughter being a bridesmaid. I couldn’t keep the tears back! This was followed obviously by a long day of drinking in the sun with friends and family. Then Sunday straight to Murcia in Spain for an MTV event with myself, Placebo and James Murphy. It was a strange night, long journey from Wales to find myself in front of 15000 people as Placebo had pulled out half way through their gig. My set got really messed around so it was hard to keep a focus but I think I pulled through. It was nice to see James Murphy. It has been a while – I haven’t seen him since Australia last January. Then it was straight through to get a flight at 7.30am to go back to London to work with Warren and Nick on the beginning of the album artwork which we shot at Nig Sky studios for two days. All I can say is that involved two beautiful semi naked girls, a host of serial and psychedelic sets, great costumes by Boudica, music and hair from the French maestro Raffe and crazy make up via Alex and of course a lot of weed to help one through the days all in all a pretty good Monday and Tuesday!
Also Monday Chris Goss arrived. The guitar Buddha is in town to help start us on our journey as we are trying to craft our madness. I spent yesterday working with Gavin, today getting into guitars and working with Joe Cadbury and tomorrow we are going to work on some of my songs, Saturday in with Lisd and Monday we are into Edwyn Collin’s studio. The adventure begins…
So I promise I’ll be back next week. Gonna hit you with a load of studio photos from both recording and from photo shoot sessions and things along the way but I will leave you with this rather entertaining photo montage courtesy of Pablo and Maff.
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Post by Level 03 on Aug 8, 2009 19:01:27 GMT -5
Kasabian's new album > Arctic Monkeys new Album but overall AM's first two records are better than Kasabian and i don't really mind Empire. Humbug hasn't grown on me after ten listens I'll give it a rest and maybe come back to it. Still though Doves have the best album of the year for me so far. Utter brilliant band. that's right ! Doves new album is fuking incredible. Have a listenning on the James Lavelle Global Underground Bangkok 37 mix. Jetstream is perfect inside, so beautiful... But for me, West Ryder still the best album of the year. And I'm talking about "album", this kind of term who was lost since a long time... An album with a story and where every track got his place in the tracklisting. Fire is the anthem of the year whatever if you like kasabian or not...
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Post by Level 03 on Aug 8, 2009 18:17:49 GMT -5
We are talking of one of those band who are supposed to be Amazing ? Wtf... A myspace band for sure, can do better than this shit. This album means nothing on me, just a rock music on a shuffle playlist...
Boring ! Boring ! Boring !
This band is supposed to be great... Supposed to be the rock sound of the 00's... Damn... Hopefully Kasabian and Sfa are here... For me the latest real deals for the 00's.
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Post by Level 03 on Aug 8, 2009 18:12:41 GMT -5
Kasabian and the Twang are the heroes of this rock year... The rest not... This album is good just for one listenning.
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Post by Level 03 on Aug 6, 2009 9:02:04 GMT -5
Remind me a quote from Liam in the comments : Sounds like a kid singing karaoke badly over an ochestra .
;D ;D ;D ;D ;D ;D
Anyway, I don't like it.
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