Noel is a control freak. It's not something that we don't know already. He want to have the upper hand in everything he does. That's somewhat disappointing in my opinion, in terms of doing something different.

Oh so they wanted credits for producing it, not co-producing

Not really following what this Gaz bloke is going on about here - can someone explain?

he has a whole discography of eva's screaming orgasms

that girl has talent

Btw, am I the only one who sees the irony in an account called Lennon2217 criticising someone for being on acid....

he can moan about , and I agree with him. probably wasted long hours on this instead of working on his own music.
but Noel gave him more publicity he could ever wish for

Noel was spot on, who still listens to those remixes (on the b sides)anyway?

As long as Noel wrote the songs, and owns the rights... and AA were paid for mixing those sessions, Noel Gallagher can do whatever the fck he wants. 

well if he used elements of it, not ALL of it without touching it, it's co-producing, so that guy should just shut the fuck up

If he didnt touch the mixes, that's a different story. But i dont believe he did. Noel's always credited people for their work. And he gave them a lot of publicity.

Not sure if these credits are 100% accurate (they's off discogs.com), I can't check since I haven't got the singles here at the moment...

Shoot A Hole Into The Sun
Mixed By – Paul 'Strangeboy' Stacey
Producer – Amorphous Androgynous
Written By – Brian Dougans, Garry Cobain, Noel Gallagher

AKA... What A Life! (The Amorphous Androgynous Remix)
Producer – David Sardy, Noel Gallagher
Remix – Amorphous Androgynous

So, the Amorphous Androgynous guys got full producer credits in SAHITS (and writer credits too), but only "Remix" for WAL. I don't know what this could mean...

Alright so let's say 2-3 tracks (The Right Stuff and Mighty I, then which ones?) come from the AA sessions
I seriously doubt we'll hear those songs as they were supposed to be when the AA mixed them, maybe Noel took a few things from those sessions, it could be, but it's not like AA produced the whole fucking record
And I'm pretty sure that if instead of Noel Gallagher this was some nearly unknown 20yrs old guy Gaz Cobain wouldn't have been that upset

I think that's cause Noel has always said
SAHITS was like a different song,different vocal melodies and all that, while WAL was just a remix of the track

There's posts of mine from a few years back suggesting that Noel should remix the Amorphous Androgynous mixes to a more conventional sound. Essentially keeping left field elements in but keeping it accessible - this is a great balance in my opinion.

And to be brutally honest - I don't really care whether Noel's taken all the tracks for himself and reworked them because all I want is great music with a bit of excitement. If it sounds good to my ears, thats all that matters. And judging from previews of the album from sources, it seems he's taken the right path musically which is exciting to hear.

This whole idea of Noel being a 'control freak' - I honestly wouldn't have it any other way. What flaws you also makes you great and you have to take the rough with the smooth. In fact, when he relinquishes his 'control freak' attitudes, the music is much worse, as we have seen with him allowing others to write with terrible contributions from Liam, Andy and Gem on latter Oasis albums, despite the fact Noel had material that was at least 10X better.

Of course, not everything I agree with him on - I criticise Noel for being very safe, and I'm most critical of the fact that Dave Sardy let him be complacent with a backwards old fashioned sound - particularly with latter Oasis. If the songs are of high quality, I don't mind safe - and hence I love the High Flying Birds album - but there comes a time when you need to modernise the sound and Noel didn't do that in the 2000s. But you get the sense that with this forthcoming album, he is doing something which he has always had ambitions to do.

But he is such an exceptional songwriter, that I feel that anything he does and anything he wants to do will be, for what he believes, the benefit of the music - and given his track record of being a superb songwriter, I have to back him and trust him on it. Reworking the Amorphous Androgynous tracks to reach as wide an audience as possible without losing that intrigue is the best thing he is doing.