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Post by worldsoutro123 on Jan 28, 2015 22:53:10 GMT -5
I hope it doesn't leak and the first time we all hear it is CD quality on launch day  |
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Post by worldsoutro123 on Jan 28, 2015 22:56:07 GMT -5
Liam's voice would have been perfect for an electronic influenced Oasis album. His voice is still great for a collaboration, fingers crossed it happens. IDK, Liam has sounded terrible since 03. His voice is really nasally and lacks power. Every time I hear him sing live or o an album from BE or even the last few Oasis albums I think of karaoke night when someones really drunk and tries to sing his best but it sounds like a mess. |
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Post by matt on Jan 28, 2015 23:13:19 GMT -5
Liam's voice would have been perfect for an electronic influenced Oasis album. His voice is still great for a collaboration, fingers crossed it happens. IDK, Liam has sounded terrible since 03. His voice is really nasally and lacks power. Every time I hear him sing live or o an album from BE or even the last few Oasis albums I think of karaoke night when someones really drunk and tries to sing his best but it sounds like a mess. Live he's not exactly hitting the form we want, but studio wise I think he still sounds great. Four Letter Word he sounds mega, and the appeal of that tune is his vocal, for me that's the best thing about that song. And that was the case with Lyla and Shock of the Lightning - I don't think they're that great but Liam's voice well and truly makes those songs. |
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Post by lamboasis on Jan 29, 2015 5:20:42 GMT -5
Sorry guys  I was going to delete the link, but eva already did, thanks |
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Post by Tapir on Jan 29, 2015 5:27:41 GMT -5
IDK, Liam has sounded terrible since 03. His voice is really nasally and lacks power. Every time I hear him sing live or o an album from BE or even the last few Oasis albums I think of karaoke night when someones really drunk and tries to sing his best but it sounds like a mess. Live he's not exactly hitting the form we want, but studio wise I think he still sounds great. Four Letter Word he sounds mega, and the appeal of that tune is his vocal, for me that's the best thing about that song. And that was the case with Lyla and Shock of the Lightning - I don't think they're that great but Liam's voice well and truly makes those songs. I agree on his voice making these songs, but "live he's not exactly hitting the form we want".. i think since 2004 and onwards it was insulting to paying fans, considering that the band actually were growing musically, Liam was the only one not caring for his "instrument" and live performance, and that is just not acceptable as a professional musician, which Liam should be. Dont get me wrong though, love Liam's vocals up to 2004 or so, and definitely love all his studio vocals (except some DBTT tunes) as well. And love the attitude, which never left, just didn't take care of his voice, which only he is accountable for. |
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Post by Frank Lee Vulgar on Jan 29, 2015 5:43:05 GMT -5
^Still, after the 2004-2009 period during which he sounded, to me, completely terrible, he recovered with Beady Eye. Some of the 2011 and 2013 performances were really good, especially early during the tour.
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Post by icebreath on Jan 29, 2015 5:43:48 GMT -5
Live he's not exactly hitting the form we want, but studio wise I think he still sounds great. Four Letter Word he sounds mega, and the appeal of that tune is his vocal, for me that's the best thing about that song. And that was the case with Lyla and Shock of the Lightning - I don't think they're that great but Liam's voice well and truly makes those songs. I agree on his voice making these songs, but "live he's not exactly hitting the form we want".. i think since 2004 and onwards it was insulting to paying fans, considering that the band actually were growing musically, Liam was the only one not caring for his "instrument" and live performance, and that is just not acceptable as a professional musician, which Liam should be. Dont get me wrong though, love Liam's vocals up to 2004 or so, and definitely love all his studio vocals (except some DBTT tunes) as well. And love the attitude, which never left, just didn't take care of his voice, which only he is accountable for. What are you talking about? Of course he was taking care of his "instrument". Ask Liza and Debby.  |
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Post by Tapir on Jan 29, 2015 5:46:52 GMT -5
^Still, after the 2004-2009 period during which he sounded, to me, completely terrible, he recovered with Beady Eye. Some of the 2011 and 2013 performances were really good, especially early during the tour. Yeah, he improved a little when he started to actually care about his vocal performance, but that was 10 years too late, if he'd start caring for his voice around 2000 he would've still sounded great (better than he does today) |
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Post by Gas Panic on Jan 29, 2015 5:55:59 GMT -5
^Still, after the 2004-2009 period during which he sounded, to me, completely terrible, he recovered with Beady Eye. Some of the 2011 and 2013 performances were really good, especially early during the tour. At the Troxy gig he sounded amazing, best I've ever heard him. I didn't see Oasis until 2008 though |
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Post by Mean Mrs. Mustard on Jan 29, 2015 7:00:29 GMT -5
^Still, after the 2004-2009 period during which he sounded, to me, completely terrible, he recovered with Beady Eye. Some of the 2011 and 2013 performances were really good, especially early during the tour. Yeah, he improved a little when he started to actually care about his vocal performance, but that was 10 years too late, if he'd start caring for his voice around 2000 he would've still sounded great (better than he does today) Yeah agree. He didn't need to sound like what he did from 2004 til now. He could have sounded a lot better all these years. Anyway, this is an ongoing discussion. |
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Post by Gas Panic on Jan 30, 2015 6:45:21 GMT -5
Mental to think in 26 days we'll have 7 completely unheard new tunes from the chief
Also very eager to see how Lock all the Doors / TDOTL / Revolution Song / Freaky Teeth have turned out!
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Post by tomlivesforever on Jan 30, 2015 7:29:21 GMT -5
Live he's not exactly hitting the form we want, but studio wise I think he still sounds great. Four Letter Word he sounds mega, and the appeal of that tune is his vocal, for me that's the best thing about that song. And that was the case with Lyla and Shock of the Lightning - I don't think they're that great but Liam's voice well and truly makes those songs. I agree on his voice making these songs, but "live he's not exactly hitting the form we want".. i think since 2004 and onwards it was insulting to paying fans, considering that the band actually were growing musically, Liam was the only one not caring for his "instrument" and live performance, and that is just not acceptable as a professional musician, which Liam should be. Dont get me wrong though, love Liam's vocals up to 2004 or so, and definitely love all his studio vocals (except some DBTT tunes) as well. And love the attitude, which never left, just didn't take care of his voice, which only he is accountable for. In hindsight (which is always great) you would basically be asking Liam Gallagher to stop being Liam Gallagher. People always say that, mostly those who have become fans lately rather than at the time where the whole rock n roll thing probably mattered more. I don't regret anything about Liam in that regard. I think the clues that his voice maybe wouldn't be the longest serving go back to the end of the BHN tour, maybe earlier. |
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Post by AKA... Frozen Eggroll on Jan 30, 2015 21:35:34 GMT -5
Anyone think Riverman is an instrumental?
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Post by spaneli on Jan 30, 2015 21:48:48 GMT -5
Anyone think Riverman is an instrumental? At over five minutes? That would be interesting. |
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Post by The Invisible Sun on Jan 30, 2015 21:48:48 GMT -5
Anyone think Riverman is an instrumental? Not a chance in hell. |
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Post by AKA... Frozen Eggroll on Jan 30, 2015 22:31:45 GMT -5
Just curious cause I only read about how great the instrumentation is. Idk just got that vibe from the talk surrounding it. But anyway, it seems like it might take that same approach as "Hello" where it starts off sounding like a typical Noel song, but then turns into something completely different to let the listener know what to expect from the rest of the album.
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Post by spaneli on Jan 30, 2015 22:40:54 GMT -5
Just curious cause I only read about how great the instrumentation is. Idk just got that vibe from the talk surrounding it. But anyway, it seems like it might take that same approach as "Hello" where it starts off sounding like a typical Noel song, but then turns into something completely different to let the listener know what to expect from the rest of the album. To be fair, I think we've heard lyrics associated with every song, but Riverman. I can't think of an interview where anyone's even mentioned lyrics. Maybe the instrumentation is just that good? Or maybe the lyrics are just that forgettable? |
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Post by Deleted on Jan 31, 2015 14:40:30 GMT -5
Just curious cause I only read about how great the instrumentation is. Idk just got that vibe from the talk surrounding it. But anyway, it seems like it might take that same approach as "Hello" where it starts off sounding like a typical Noel song, but then turns into something completely different to let the listener know what to expect from the rest of the album. To be fair, I think we've heard lyrics associated with every song, but Riverman. I can't think of an interview where anyone's even mentioned lyrics. Maybe the instrumentation is just that good? Or maybe the lyrics are just that forgettable? I hope it's not and I VERY much doubt it is. |
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Post by Thomas on Jan 31, 2015 15:32:14 GMT -5
I remember of Noel saying that the "Riverman" of the song wasn't anyone specific, so I assume the song has lyrics and they talk about someone (a fictional character, most likely).
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Post by lamboasis on Feb 22, 2015 10:34:09 GMT -5
**UPDATING** 1. "Riverman" -- Contains massive guitar solo at beginning (played by Paul Stacey) -- Contain sax solo -- Modeled after "Pinball" by Brian Protheroe -- "Drifts on a blissful acoustic grove, before building to a sky scraping guitar solo and a gentle sax solo" -- "It's the sound of 1970's Sunset Boulevard with Santana playing lead guitar over a pothead groove, and a Pink Floyd saxophone player in the background". 2. "In the Heat of the Moment" -- Heard 3. "The Girl with the X-Ray Eyes" -- Was mentioned as a stand-out track by a forum member who's heard the album 4. "Lock All the Doors" -- Old Oasis song -- (Re) Written coming out of Tesco's by Boots -- Punk rocky -- "Nicked a bit from 'Ever Fallen In Love (With Someone You Shouldn't Have) by the Buzzcocks". 5. "The Dying of the Light" -- Demo heard -- Much more "epic-sounding" according to Noel -- Can be heard in the "It's Never Too Late To Be What You Might Have Been" documentary 6. "The Right Stuff" -- From AA sessions, reworked -- Described as "space jazz" and "emotionally involved" -- "The farthest from Supersonic as you can get" and "avant-garde with a lot of nonsense." -- "proper psychedelic jazz" 7. "While the Song Remains the Same" -- Contains the line "Walk down the streets of our lives while they still remain" -- Contains the line "chasing yesterday" 8. "The Mexican" -- From AA sessions, reworked -- Described recently as a light "throwaway" after track 5, 6, and 7, which are all "emotionally involved" -- Described by Noel as a "perfect single" and a "great pop song with a good riff like ITHOTM" -- "stomper" 9. "You Know We Can't Go Back" -- Steve Lamaq's favorite track -- Contains line "It's alright knowing you can't go back" 10. "Ballad of Mighty I" -- Been described as everything from "disco" to "funky" to "bass-driven" to spy-movie "soundtrack" -- Recorded during the AA session and a contender for the self-titled debut as well WHAT ELSE?? Interesting. |
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Post by Mean Mrs. Mustard on Feb 22, 2015 11:45:20 GMT -5
The Mexican a perfect single?
Shit.
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I was going to delete the link, but eva already did, thanks
Nov 4, 2024 5:04:30 GMT -5
Nov 4, 2024 5:04:30 GMT -5