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Post by Deleted on Apr 17, 2013 8:07:00 GMT -5
nnyrad - it's time you go out and smell the air. Is that how I get repaid for making your life 2% better? This is an absolute classic line: I’m Just SayingAndy: “Anyone longing for a bit of Morning Glory-era Oasis, this is for them.” = Anyone longing for a bit of Heathen Chemistry-era Oasis, this is for them. |
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Post by thedon on Apr 17, 2013 8:42:04 GMT -5
Reading between the lines: Flick Of The FingerLiam: “We had to go first with it.” = Best track on the albumAndy: “To me, it’s a Gimme Shelter moment.” = Best thing we've doneSoul LoveLiam: “This started as a Songbird-y thing, but I changed it the night before we recorded it.” = For Anyone + studio effectsFace The CrowdLiam: “Face The Crowd is just f*cking…” = Meaning of Soul Part IIGem: “…a banger.” = Ain't Got Nothin Part IISecond Bite Of The AppleLiam: “This is the one Sitek changed the most… There’s a lot more magic on this album.” = Sitek saved this track Soon Come TomorrowAndy: “One of my tunes, a bit of a quieter, slower thing.” = dullLiam: “Great tune. Hendrix-y.” = Wah guitar noodlingIz RiteLiam: “The Beatles on E.” = A cross between To Be Where's The Life Part and A Bell Will RingI’m Just SayingAndy: “Anyone longing for a bit of Morning Glory-era Oasis, this is for them.” = Anyone longing for a bit of Heathen Chemistry-era Oasis, this is for them.Don’t Brother MeLiam: “It’s a beautiful f*cking song and I like the title. I didn’t want to change it.” = Guess God Thinks I'm Able Part IIShine A LightAndy: “The intro to this we called ‘the Scarface bit’: like an old black-and-white movie. Very dramatic.” = W e sampled old vinyl! Ballroom FiguredLiam: “It’s a bit Marley to me: Redemption Song. Beautiful.” = Simple acoustic guitar trackStart AnewAndy: “My favourite vocal on the album. It’s an epic: starts off as an acoustic tune then ends up like Neil Young in Boca Juniors’ stadium, in 35C heat, with fireworks going off.” = Wigwam Part IICan't argue with this. |
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Post by Deleted on Apr 17, 2013 8:45:25 GMT -5
nnyrad - it's time you go out and smell the air. Is that how I get repaid for making your life 2% better? This is an absolute classic line: I’m Just SayingAndy: “Anyone longing for a bit of Morning Glory-era Oasis, this is for them.” = Anyone longing for a bit of Heathen Chemistry-era Oasis, this is for them.Sounds about right @nnyrad - astute post. |
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Post by jaq515 on Apr 17, 2013 8:58:26 GMT -5
At least their getting some love from lillywhite  Attachments:
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Post by underneaththesky on Apr 17, 2013 9:05:42 GMT -5
!!!!
what a come back, really.
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Post by Deleted on Apr 17, 2013 9:26:30 GMT -5
Epic tweet. Expect theyknowwhatimean to be banging down his door shortly, mascara running down his face. |
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Post by wooboos on Apr 17, 2013 9:43:42 GMT -5
Reading between the lines: I’m Just SayingAndy: “Anyone longing for a bit of Morning Glory-era Oasis, this is for them.” = Anyone longing for a bit of Heathen Chemistry-era Oasis, this is for them.VERY funny! almost spat my tea out! |
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Post by Deleted on Apr 17, 2013 10:29:01 GMT -5
At least their getting some love from lillywhite Four Letter Word, Steve...you heard that one?... The one song on that album that you didn't ruin with dated and unimaginative production |
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Post by Deleted on Apr 17, 2013 10:42:34 GMT -5
LOL.
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Post by Deleted on Apr 17, 2013 10:58:07 GMT -5
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Post by olesiadudnik on Apr 17, 2013 11:03:05 GMT -5
At least their getting some love from lillywhite Of course would be remiss if there was no mention that the said decent song is also one of those Oasis' castaways as well? Ohh Lillywhite...YOU ARE A GREAT PRODUCER, Lillywhite. I repeat: YOU ARE A GREAT PRODUCER!! (Somebody should go the Twittering and mention that first bit^^ to him, and see how The Great Producer of the Rock 'n' Roll responds. The suspense....) |
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Post by andymorris on Apr 17, 2013 11:11:38 GMT -5
Reading between the lines: Flick Of The FingerLiam: “We had to go first with it.” = Best track on the albumAndy: “To me, it’s a Gimme Shelter moment.” = Best thing we've doneSoul LoveLiam: “This started as a Songbird-y thing, but I changed it the night before we recorded it.” = For Anyone + studio effectsFace The CrowdLiam: “Face The Crowd is just f*cking…” = Meaning of Soul Part IIGem: “…a banger.” = Ain't Got Nothin Part IISecond Bite Of The AppleLiam: “This is the one Sitek changed the most… There’s a lot more magic on this album.” = Sitek saved this track Soon Come TomorrowAndy: “One of my tunes, a bit of a quieter, slower thing.” = dullLiam: “Great tune. Hendrix-y.” = Wah guitar noodlingIz RiteLiam: “The Beatles on E.” = A cross between To Be Where's The Life Part and A Bell Will RingI’m Just SayingAndy: “Anyone longing for a bit of Morning Glory-era Oasis, this is for them.” = Anyone longing for a bit of Heathen Chemistry-era Oasis, this is for them.Don’t Brother MeLiam: “It’s a beautiful f*cking song and I like the title. I didn’t want to change it.” = Guess God Thinks I'm Able Part IIShine A LightAndy: “The intro to this we called ‘the Scarface bit’: like an old black-and-white movie. Very dramatic.” = W e sampled old vinyl! Ballroom FiguredLiam: “It’s a bit Marley to me: Redemption Song. Beautiful.” = Simple acoustic guitar trackStart AnewAndy: “My favourite vocal on the album. It’s an epic: starts off as an acoustic tune then ends up like Neil Young in Boca Juniors’ stadium, in 35C heat, with fireworks going off.” = Wigwam Part IIGenius,  |
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Post by I Built The Moon on Apr 17, 2013 11:16:52 GMT -5
All the track times seem to have been added on Wiki.. probably some wise guy trying to be funny. All together now: Hahahaha...
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Post by matt on Apr 17, 2013 11:35:13 GMT -5
At least their getting some love from lillywhite Four Letter Word, Steve...you heard that one?... The one song on that album that you didn't ruin with dated and unimaginative production Sorry, don't agree with this. Steve Lillywhite is a very good producer, conventional yes, but if the songs aren't there then it's going to be shit. You can't polish a turd the size of Different Gear in my opinion. And going on the merits of the previous Oasis albums and their Beatles obsessions, it was Gem, Liam and Andy who decided to make it a piss poor Beatles rip off album. That said, Four Letter Word is good and The Morning Son is very good. |
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Post by matt on Apr 17, 2013 11:36:50 GMT -5
Reading between the lines: Flick Of The FingerLiam: “We had to go first with it.” = Best track on the albumAndy: “To me, it’s a Gimme Shelter moment.” = Best thing we've doneSoul LoveLiam: “This started as a Songbird-y thing, but I changed it the night before we recorded it.” = For Anyone + studio effectsFace The CrowdLiam: “Face The Crowd is just f*cking…” = Meaning of Soul Part IIGem: “…a banger.” = Ain't Got Nothin Part IISecond Bite Of The AppleLiam: “This is the one Sitek changed the most… There’s a lot more magic on this album.” = Sitek saved this track Soon Come TomorrowAndy: “One of my tunes, a bit of a quieter, slower thing.” = dullLiam: “Great tune. Hendrix-y.” = Wah guitar noodlingIz RiteLiam: “The Beatles on E.” = A cross between To Be Where's The Life Part and A Bell Will RingI’m Just SayingAndy: “Anyone longing for a bit of Morning Glory-era Oasis, this is for them.” = Anyone longing for a bit of Heathen Chemistry-era Oasis, this is for them.Don’t Brother MeLiam: “It’s a beautiful f*cking song and I like the title. I didn’t want to change it.” = Guess God Thinks I'm Able Part IIShine A LightAndy: “The intro to this we called ‘the Scarface bit’: like an old black-and-white movie. Very dramatic.” = W e sampled old vinyl! Ballroom FiguredLiam: “It’s a bit Marley to me: Redemption Song. Beautiful.” = Simple acoustic guitar trackStart AnewAndy: “My favourite vocal on the album. It’s an epic: starts off as an acoustic tune then ends up like Neil Young in Boca Juniors’ stadium, in 35C heat, with fireworks going off.” = Wigwam Part III love Flick of the Finger. But I do have a massive fear that your post will prove to be very accurate indeed. |
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Post by Deleted on Apr 17, 2013 11:42:32 GMT -5
Four Letter Word, Steve...you heard that one?... The one song on that album that you didn't ruin with dated and unimaginative production Sorry, don't agree with this. Steve Lillywhite is a very good producer, conventional yes, but if the songs aren't there then it's going to be shit. You can't polish a turd the size of Different Gear in my opinion. And going on the merits of the previous Oasis albums and their Beatles obsessions, it was Gem, Liam and Andy who decided to make it a piss poor Beatles rip off album. That said, Four Letter Word is good and The Morning Son is very good. I don't like DGSS either but I thought Lillywhite was wrong to tweet what he did, beady eye have written some good songs |
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Post by Bruno on Apr 17, 2013 12:02:59 GMT -5
I agree Lillywhite should definitely have not tweeted that. Beady Eye have quite a few good songs. But nevertheless he's effectively guaranteed that he won't be producing any more of their albums. |
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Post by Rolo on Apr 17, 2013 12:10:26 GMT -5
I agree Lillywhite should definitely have not tweeted that. Beady Eye have quite a few good songs. But nevertheless he's effectively guaranteed that he won't be producing any more of their albums. Good. |
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Post by Deleted on Apr 17, 2013 12:14:16 GMT -5
I agree Lillywhite should definitely have not tweeted that. Beady Eye have quite a few good songs. But nevertheless he's effectively guaranteed that he won't be producing any more of their albums. I like the fact he speaks his mind and doesn't worry about what he should and shouldn't tweet, |
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Post by ruchin on Apr 17, 2013 12:15:59 GMT -5
Lillywhite left them in the lurk by letting Gem do the mixing, Liam said in a few interviews that he didn't think he would work with him again.
However i kind of remember people on this forum raving about the production on DGSS. How things have changed.
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Post by Bruno on Apr 17, 2013 12:17:16 GMT -5
I agree Lillywhite should definitely have not tweeted that. Beady Eye have quite a few good songs. But nevertheless he's effectively guaranteed that he won't be producing any more of their albums. I like the fact he speaks his mind and doesn't worry about what he should and shouldn't tweet, That might be but I find it odd that he should slag them off in such a way after having produced their last album. It might be because they passed him over for Sitek. |
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Post by Bruno on Apr 17, 2013 12:19:53 GMT -5
Lillywhite left them in the lurk by letting Gem do the mixing, Liam said in a few interviews that he didn't think he would work with him again. However i kind of remember people on this forum raving about the production on DGSS. How things have changed. I don't think DGSS is badly produced. It might not be great but its at least better than the production on the High Flying Birds album. |
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Post by AlissonBrazil on Apr 17, 2013 12:22:12 GMT -5
FIGHT!!!!
@lukehewitt1985 1h
@sillywhite @beady_Eye Liam said you 'bailed' and 'weren't right'- what actually happened? do you think 'Different Gear...' is a bad record?
@sillywhite 1h
@lukehewitt1985 i am not sure i can say it all in 140 characters !!
@lukehewitt1985 54m
@sillywhite could you blog about it maybe? there are lots of Oasis and/ or Beady Eye fans who would be really interested in this
@sillywhite 50m
@lukehewitt1985 haha. i wouldn't know how to blog. i am writing a book so you will have to wait...
@acanicodebaser 4m
@sillywhite They found a good producer.
@sillywhite 2m
@acanicodebaser maybe he helped them write ! they DID lose a damned good songwriter.
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Post by gdforever on Apr 17, 2013 12:29:45 GMT -5
Sorry, don't agree with this. Steve Lillywhite is a very good producer, conventional yes, but if the songs aren't there then it's going to be shit. You can't polish a turd the size of Different Gear in my opinion. And going on the merits of the previous Oasis albums and their Beatles obsessions, it was Gem, Liam and Andy who decided to make it a piss poor Beatles rip off album. That said, Four Letter Word is good and The Morning Son is very good. I don't like DGSS either but I thought Lillywhite was wrong to tweet what he did, beady eye have written some good songs It's probable a reaction to the attack they made on him in the Shortlist magazine. "The last record, the producer weren't right, he bailed. Gem ended up mixing it and it turned out great for what it was. But we needed a great producer" They made it sound like the songs were great but the production is what killed the album. AND the Steven Lillywhite isn't a great producer. Obviously they had a fight in the studio about Lillywhite not being happy with the song qualities and that is why he left and he wants everyone to know what his frustration was. BDI opened the door when they attacked Lillywhites livelihood even after he supported the album and never detracted from it despite the fact that he wasn't happy with the album. They had some good songs...but the only song that think was ruined by production was SOTEOTN. And even live I think it's crap...so maybe it's just a case in point that no amount of production could make a crap song sound good. |
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Post by ruchin on Apr 17, 2013 12:29:55 GMT -5
Lillywhite left them in the lurk by letting Gem do the mixing, Liam said in a few interviews that he didn't think he would work with him again. However i kind of remember people on this forum raving about the production on DGSS. How things have changed. I don't think DGSS is badly produced. It might not be great but its at least better than the production on the High Flying Birds album. Agreed, i think its the same old same old with sardy. I much prefer the To be where there's life Richard Fearless verision, has a lot more to it. Can't see Noel changing though, he seems very happy with it, and given the success of NGHFB he might see it as a risk. |
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Nov 4, 2024 5:04:30 GMT -5