|
|
Post by carlober on Jan 12, 2015 16:56:14 GMT -5
Come on, Japaneses, I'm waiting for the mp3 from iTunes B| iTunes only sells .m4a  |
|
|
|
Post by deadman on Jan 12, 2015 16:57:41 GMT -5
Love it. Absolutely love it. Really like the way Noel is going with this new stuff - stupidly excited for this album now.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 12, 2015 16:59:54 GMT -5
Come on, Japaneses, I'm waiting for the mp3 from iTunes B| iTunes only sells .m4a Noel doesn't like it anyway  |
|
|
|
Post by spaneli on Jan 12, 2015 17:00:47 GMT -5
I know it's only been 12 hours, but the view count is a little underwhelming. ITHOTM got 200k in 24 hours. This one looks to be struggling to hit 100k in the same amount of time. 12 hours left, it will definitely hit 100k, but that's a huge drop off. Maybe it will perform better in the long run. ITHOTM was the first song in 3 years, maybe that's explains the difference. First single is usually the easiest. Hype is enough to pull it through. You can get away with not much promotional work. The second single is where the work comes in. Noel got lucky and was smart to put WAL in a commercial. It did a lot of the usual work for him. With this he'll have to get out and push it. |
|
|
|
Post by Grodoboldo on Jan 12, 2015 17:02:26 GMT -5
I liked it quite a lot.
The fact that this is the one I liked the least from those we heard says a lot about the quality of the tunes.
I'm really excited for the album!
|
|
|
|
Post by deasy on Jan 12, 2015 17:03:39 GMT -5
Absolutely cracking track. The video works really well also.
The best Gallagher related album closer since Champagne Supernova.
|
|
|
|
Post by asimarx on Jan 12, 2015 17:03:52 GMT -5
The guy playing the director making these hilarious remarks, is he the actual, I mean, real director? Just wondered. Great song, don't exactly know why but in places it kind of has this Radiohead-vibe. It's just the versatile production, the distant sounds that reminds me, it's quite deep. Gets better with every listen, there's much to be discovered in the mix. Can't wait to get a proper quality copy into my hands. I wonder how this one will work out live. There's already someone who has covered it on his acoustic on Youtube, and strangely it works really well. That's to all the people who say the song relies on its overblown production. Which it isn't in the first place. It's quite delicate. I've also read comment citing the drums as being ploddy again. They're not! Tight as James Brown they're to my ears.  |
|
|
|
Post by XTRMNTRSCREAM on Jan 12, 2015 17:04:00 GMT -5
Where are the Japanese?
|
|
|
|
Post by XTRMNTRSCREAM on Jan 12, 2015 17:05:03 GMT -5
I know it's only been 12 hours, but the view count is a little underwhelming. ITHOTM got 200k in 24 hours. This one looks to be struggling to hit 100k in the same amount of time. 12 hours left, it will definitely hit 100k, but that's a huge drop off. Maybe it will perform better in the long run. ITHOTM was the first song in 3 years, maybe that's explains the difference. First single is usually the easiest. Hype is enough to pull it through. You can get away with not much promotional work. The second single is where the work comes in. Noel got lucky and was smart to put WAL in a commercial. It did a lot of the usual work for him. With this he'll have to get out and push it. Why are you so obsessed with album sales? |
|
|
|
Post by The Milkman & The Riverman on Jan 12, 2015 17:10:44 GMT -5
The sad news is we still have this fella on board...  |
|
|
|
Post by asimarx on Jan 12, 2015 17:13:39 GMT -5
It surely has already been mentioned, but there's Jeff Wootton in video as well! The missing link between Beady Eye and the High Flying Birds, the personified Oasis reunion!  And Terry Kirkbride is in there once again, too. By all means, it'll be Jeremy playing drums on the tour but it's always nice to see Terry getting some recognition. He had already played drums on the AA version of Mighty I after all! |
|
|
|
Post by Mean Mrs. Mustard on Jan 12, 2015 17:20:50 GMT -5
Oh yeah, shit, forgot to listen to the interview lol
|
|
|
|
Post by oa515noble on Jan 12, 2015 17:22:50 GMT -5
I'm pretty sure it's "come while May," not "come what May." you never heard the phrase "come what may" ? |
|
|
|
Post by didthedamage on Jan 12, 2015 17:28:20 GMT -5
I'm pretty sure it's "come while May," not "come what May." you never heard the phrase "come what may" ? Yeah, but I had a bit of a brain fart. I still think it sort of sounds like "while" but you're right; it makes more sense to be "what." |
|
|
|
Post by The Invisible Sun on Jan 12, 2015 17:29:14 GMT -5
YouTube is updating its views still by the looks of it. It jumped from 60k to 85k in an hour!
|
|
|
|
Post by RUBIKON on Jan 12, 2015 17:29:17 GMT -5
any decent mp3's floating round yet?
|
|
|
|
Post by XTRMNTRSCREAM on Jan 12, 2015 17:30:49 GMT -5
any decent mp3's floating round yet? You tell me Pete Forbes |
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 12, 2015 17:31:12 GMT -5
any decent mp3's floating round yet? Only thing I have is the 320kbps rip from YouTube, with the video comments. |
|
|
|
Post by oa515noble on Jan 12, 2015 17:35:13 GMT -5
you never heard the phrase "come what may" ? Yeah, but I had a bit of a brain fart. I still think it sort of sounds like "while" but you're right; it makes more sense to be "what." haha I know what you're saying. listening to it with his accent it does sound like a "while" a bit but "what" just makes sense |
|
|
|
Post by plaskins1 on Jan 12, 2015 17:36:02 GMT -5
The guy playing the director making these hilarious remarks, is he the actual, I mean, real director? Just wondered. No, he's an actor. Was in a program called Pramface. He does a good job in this video, quite funny www.imdb.com/name/nm3591245/?ref_=tt_cl_t4 |
|
|
|
Post by The Invisible Sun on Jan 12, 2015 17:37:35 GMT -5
Also worth noting, Revolution song at 3:32 long is 17 seconds shorter than the Oasis demo version.
|
|
element103
Oasis Roadie
Following the Dreads since 1994
Posts: 125
|
Post by element103 on Jan 12, 2015 17:37:52 GMT -5
Absolute belter. More of this please Noel.
He could push the boundaries further in fact. Let's hear some new.
|
|
|
|
Post by lamboasis on Jan 12, 2015 17:38:06 GMT -5
20 mins until midnight here in Italy |
|
|
|
Post by The Milkman & The Riverman on Jan 12, 2015 17:39:55 GMT -5
YouTube is updating its views still by the looks of it. It jumped from 60k to 85k in an hour! That's me, sorry...  |
|
|
|
Post by ccd204p on Jan 12, 2015 17:40:06 GMT -5
The guy playing the director making these hilarious remarks, is he the actual, I mean, real director? Just wondered. Great song, don't exactly know why but in places it kind of has this Radiohead-vibe. It's just the versatile production, the distant sounds that reminds me, it's quite deep. Gets better with every listen, there's much to be discovered in the mix. Can't wait to get a proper quality copy into my hands. I wonder how this one will work out live. There's already someone who has covered it on his acoustic on Youtube, and strangely it works really well. That's to all the people who say the song relies on its overblown production. Which it isn't in the first place. It's quite delicate. I've also read comment citing the drums as being ploddy again. They're not! Tight as James Brown they're to my ears. It's Dylan Edwards who plays the producer. He was Mike in Pramface on BBC3. I'm not sure that's the photo he takes in the video though Attachments:
|
|
And Terry Kirkbride is in there once again, too. By all means, it'll be Jeremy playing drums on the tour but it's always nice to see Terry getting some recognition. He had already played drums on the AA version of Mighty I after all!
Nov 4, 2024 5:04:30 GMT -5