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Post by defmaybe00 on Apr 9, 2014 10:07:33 GMT -5
I think the first single will come out no more than a month after BHN Noel's a clever guy  |
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Post by jaq515 on Apr 9, 2014 11:02:01 GMT -5
The fact so far he's done nothing towards the DM release thus far (when few mags have done mini features) I can't see Liam or noel doing a huge amount of publicity for the remasters guess well see what he's like on fantasy football club (id assume he's on it for man city vs liverpool not music tho) I'd find it madness If noel does anything on the promo trail for BHN after everything negative he's said about that album over the years (Sorry Bellboy just basically wrote what you did. Obv I fully agree with you) |
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Post by defmaybe00 on Apr 9, 2014 11:06:24 GMT -5
I don't think he'll do a loto of promo things for any of the albums (maybe for WTSMG) But the fuss created by them will definitely help his new record |
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Post by Let It Bleed on Apr 9, 2014 11:48:58 GMT -5
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Post by spaneli on Apr 9, 2014 12:27:19 GMT -5
I agree with Lennon and Bellboy, he may not actively promote BHN, but I do think he will use the scheduling of the reissues as a springboard for him. By time his album comes, Oasis' name will be a bit more prominent than usual. If he schedule his release within a couple months of the last reissue, he should reap some benefits from the scheduling.
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Post by defmaybe00 on Apr 9, 2014 12:57:27 GMT -5
I agree with Lennon and Bellboy, he may not actively promote BHN, but I do think he will use the scheduling of the reissues as a springboard for him. By time his album comes, Oasis' name will be a bit more prominent than usual. If he schedule his release within a couple months of the last reissue, he should reap some benefits from the scheduling. Exactly, he will definitely benefit from them It all depends on when the last reissue comes out |
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Post by Ash & Debris on Apr 9, 2014 14:42:59 GMT -5
I still don't see why they saw the need to drop 3 re-issues all in the same year, totally unnecessary. Especially considering that neither of the bros are exactly going broke anytime soon, oh and this also delays NG's album by a year. Just awful.
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Post by jaq515 on Apr 9, 2014 14:49:51 GMT -5
I'd say it all ties in to the 20 years since beginning of Brit pop and that anniversary won't last the 3 years Britpop lasted. Going all guns blazing through out this year is the best way to look after their heritage / gain new fans etc etc I don't think it's about the money (tho that deluxe boxset it major ripoff  ). It's about keeping them relevant for the future and a young kid can buy DM and basically all b sides and live tracks for £15 and now follow on Instagram and go on a GOOD website etc. |
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Post by shoes222 on Apr 9, 2014 19:05:43 GMT -5
I still don't see why they saw the need to drop 3 re-issues all in the same year, totally unnecessary. Especially considering that neither of the bros are exactly going broke anytime soon, oh and this also delays NG's album by a year. Just awful. The only person you have to blame for Noel's recording and release schedule is Noel. If he wanted to have an album out in 2014, he would...Oasis re-releases or no. But he doesn't. Don't blame Oasis's marketing people for anything regarding Noel's solo album. |
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Post by Lennon2217 on Apr 9, 2014 21:49:33 GMT -5
Wham Bam Thank You Ma'am!
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Post by morning_rain on Apr 10, 2014 2:47:55 GMT -5
With Brian Cannon posting pictures in studio I think we can safely remove the interrogation mark from the title of the thread now |
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Post by defmaybe00 on Apr 10, 2014 3:02:59 GMT -5
With Brian Cannon posting pictures in studio I think we can safely remove the interrogation mark from the title of the thread now We should have done that like 5 pages ago really |
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Post by Lennon2217 on Apr 10, 2014 13:29:11 GMT -5
Ashes to ashes, funk to funky
We know Major Tom's a junkie
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Post by The Invisible Sun on Apr 10, 2014 14:18:38 GMT -5
I'm joking here, but imagine if Dave Sitek produced it. I don't see the problem with that. |
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Post by Lennon2217 on Apr 10, 2014 15:23:42 GMT -5
I'm joking here, but imagine if Dave Sitek produced it. I don't see the problem with that. I'd be down with guys like Dave Sitek, Jack White, Danger Mouse, Nigel Godrich, Damon Albarn or even David "Fucking" Bowie. |
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Post by The Invisible Sun on Apr 10, 2014 15:27:25 GMT -5
I don't see the problem with that. I'd be down with guys like Dave Sitek, Jack White, Danger Mouse, Nigel Godrich, Damon Albarn or even David "Fucking" Bowie. I'd like to see Mark Stent have another go at a Noel album. |
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Post by Lennon2217 on Apr 10, 2014 15:42:22 GMT -5
I'd be down with guys like Dave Sitek, Jack White, Danger Mouse, Nigel Godrich, Damon Albarn or even David "Fucking" Bowie. I'd like to see Mark Stent have another go at a Noel album. Sadly the Spike Stent era is over for Noel Gallagher. Time to move on from everyone he has worked with prior in production. I want to hear new sounds, have Noel try new things. |
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Post by Deleted on Apr 10, 2014 16:21:59 GMT -5
Ashes to ashes, funk to funky We know Major Tom's a junkie What's with the Bowie lyrics? |
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Post by Tapir on Apr 10, 2014 16:25:09 GMT -5
I'd say it all ties in to the 20 years since beginning of Brit pop and that anniversary won't last the 3 years Britpop lasted. Going all guns blazing through out this year is the best way to look after their heritage / gain new fans etc etc I don't think it's about the money (tho that deluxe boxset it major ripoff ). It's about keeping them relevant for the future and a young kid can buy DM and basically all b sides and live tracks for £15 and now follow on Instagram and go on a GOOD website etc. Exactly |
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Post by theyknowwhatimean on Apr 10, 2014 17:13:15 GMT -5
Ashes to ashes, funk to funky We know Major Tom's a junkie What's with the Bowie lyrics? No idea why, but it gives me an excuse to post this: I watch the ripples change their size, But never leave the stream of warm impermanence and, So the days float through my eyes, But still the days seem the same And these children that you spit on, As they try to change their worlds, Are immune to your consultations, They're quite aware of what they're going through Ch-ch-ch-ch-Changes (Turn and face the strain) Ch-ch-Changes Don't tell them to grow up and out of it Ch-ch-ch-ch-Changes (Turn and face the strain) Ch-ch-Changes Where's your shame, you've left us up to our necks in it, Time may change me but I can't trace time |
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Post by shoes222 on Apr 10, 2014 18:56:22 GMT -5
I'd like to see Mark Stent have another go at a Noel album. Sadly the Spike Stent era is over for Noel Gallagher. Time to move on from everyone he has worked with prior in production. I want to hear new sounds, have Noel try new things. The Spike "era" was one album. He could produce a drastically different sounding record than SOTSOG if he wanted to. Love the guy as a producer, and my only black mark with him was using that fake choir shit...no clue whoever thought that was a good idea. |
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Post by Deleted on Apr 10, 2014 23:08:04 GMT -5
Record Machine is with the capo on the 1st fret So is Stop The Clocks.... and they played DYKWIM with the capo on the first fret during th HC era... the first two he was adjusting half a tune up since Liam was not going to sing it anymore... the latter they step half a tune down so Liam Liam could reach the high notes... But yeah, its pretty rare for him to use it on the first fret Yeah, Record Machine AND Stop the Clocks are with the capo on the 1st fret. The difference between the demo of both songs and the HFB version is basically the capo. |
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Post by asimarx on Apr 11, 2014 16:43:14 GMT -5
Anyone noticed this tiny bit of info hidden withint th NME article about the exhibiton??
"Liam Gallagher and Paul 'Bonehead' Arthurs (pictured right) last night attended the opening of the Oasis exhibition Chasing The Sun: Oasis 1993–1997 at Londonewcastle Project Space in Shoreditch, London.
The pair arrived unannounced at the invite-only preview to the free-to-view exhibition, which opens to the public today (April 11) runs until April 22. Gallagher – now sporting a shaven haircut – and the former Oasis guitarist were swarmed by fans on entering, and spent about 45 minutes posing for pictures and talking to attendees.
Speaking to NME after the event, Bonehead said: "We didn't get to see [the exhibition] – we got fucking mobbed. But actually going in there with Liam and seeing what I did see was pretty emotional. I spoke to Paul Slattery, who's got a lot of pictures up, and me and Liam gave him big hugs and made plans to catch up. We looked at each other and went, 'Is it really 20 years ago?' Mental, man – time flies."
Bonehead said that the decision to attend the opening was made just a day before. "It was a case of, 'Are you going down?' He was like, 'No.' Then a phone call yesterday, he said, 'Are you going tomorrow?' I was like, 'Not really, I'm doing a gig in Weston-super-Mare tonight. Are you going?' He said, 'If you're going, I'm going,' so I booked a hotel and drove over. I'm glad we made the effort – we both said tonight that we're glad."
He also explained the absence of other former bandmembers. "Alan White's in Spain, Guigs [Paul McGuigan] couldn't make it and Noel's recording, so we had to come really. It's good that some of the bandmembers made it. Liam is Oasis, so the fact he turned up and had pictures with people is great."
Bonehead now plans to return for a private view so he can see the exhibition properly. "My son's a big Oasis fan all of sudden and he wants to come and see it," he said.
Part of the exhibition involves a recreation of the sleeve from 1994's debut album 'Definitely Maybe', which was shot in Bonehead's living room in Didsbury, south Manchester. It contains items seen in the original image from Bonehead's own home. "I actually did put a lot of the original artefacts in it – sofa cover, fire surround, ashtrays, light fittings," he said. "The stained glass was built into my house so I couldn't take it out. I've moved house since then but I took it all with me."
Curated by photographer Lawrence Watson, the exhibition documents major events such as the band's shows at Manchester's Maine Road and Knebworth plus the creation of their albums 'Definitely Maybe', '(What’s The Story) Morning Glory?' and 'Be Here Now'. It features previously unseen images from photographers Jill Furminovsky, Paul Slattery, Tom Sheehan, Kevin Cummins and Jamie Fry.
Also on display are some of the instruments played on the band's early albums, which have been loaned by band members themselves, as well as merchandise, artefacts from the album sleeves, tour documentation and rare video footage.
The exhibition is taking place to mark the reissue of the band's 1994 debut album 'Definitely Maybe' on May 19."
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Post by asimarx on Apr 11, 2014 16:43:55 GMT -5
Anyone noticed this tiny bit of info hidden within the NME article about the exhibiton??
"Liam Gallagher and Paul 'Bonehead' Arthurs (pictured right) last night attended the opening of the Oasis exhibition Chasing The Sun: Oasis 1993–1997 at Londonewcastle Project Space in Shoreditch, London.
The pair arrived unannounced at the invite-only preview to the free-to-view exhibition, which opens to the public today (April 11) runs until April 22. Gallagher – now sporting a shaven haircut – and the former Oasis guitarist were swarmed by fans on entering, and spent about 45 minutes posing for pictures and talking to attendees.
Speaking to NME after the event, Bonehead said: "We didn't get to see [the exhibition] – we got fucking mobbed. But actually going in there with Liam and seeing what I did see was pretty emotional. I spoke to Paul Slattery, who's got a lot of pictures up, and me and Liam gave him big hugs and made plans to catch up. We looked at each other and went, 'Is it really 20 years ago?' Mental, man – time flies."
Bonehead said that the decision to attend the opening was made just a day before. "It was a case of, 'Are you going down?' He was like, 'No.' Then a phone call yesterday, he said, 'Are you going tomorrow?' I was like, 'Not really, I'm doing a gig in Weston-super-Mare tonight. Are you going?' He said, 'If you're going, I'm going,' so I booked a hotel and drove over. I'm glad we made the effort – we both said tonight that we're glad."
He also explained the absence of other former bandmembers. "Alan White's in Spain, Guigs [Paul McGuigan] couldn't make it and Noel's recording, so we had to come really. It's good that some of the bandmembers made it. Liam is Oasis, so the fact he turned up and had pictures with people is great."
Bonehead now plans to return for a private view so he can see the exhibition properly. "My son's a big Oasis fan all of sudden and he wants to come and see it," he said.
Part of the exhibition involves a recreation of the sleeve from 1994's debut album 'Definitely Maybe', which was shot in Bonehead's living room in Didsbury, south Manchester. It contains items seen in the original image from Bonehead's own home. "I actually did put a lot of the original artefacts in it – sofa cover, fire surround, ashtrays, light fittings," he said. "The stained glass was built into my house so I couldn't take it out. I've moved house since then but I took it all with me."
Curated by photographer Lawrence Watson, the exhibition documents major events such as the band's shows at Manchester's Maine Road and Knebworth plus the creation of their albums 'Definitely Maybe', '(What’s The Story) Morning Glory?' and 'Be Here Now'. It features previously unseen images from photographers Jill Furminovsky, Paul Slattery, Tom Sheehan, Kevin Cummins and Jamie Fry.
Also on display are some of the instruments played on the band's early albums, which have been loaned by band members themselves, as well as merchandise, artefacts from the album sleeves, tour documentation and rare video footage.
The exhibition is taking place to mark the reissue of the band's 1994 debut album 'Definitely Maybe' on May 19."
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Post by jaq515 on Apr 11, 2014 16:49:49 GMT -5
Anyone noticed this tiny bit of info hidden within the NME article about the exhibiton?? "Liam Gallagher and Paul 'Bonehead' Arthurs (pictured right) last night attended the opening of the Oasis exhibition Chasing The Sun: Oasis 1993–1997 at Londonewcastle Project Space in Shoreditch, London. The pair arrived unannounced at the invite-only preview to the free-to-view exhibition, which opens to the public today (April 11) runs until April 22. Gallagher – now sporting a shaven haircut – and the former Oasis guitarist were swarmed by fans on entering, and spent about 45 minutes posing for pictures and talking to attendees. Speaking to NME after the event, Bonehead said: "We didn't get to see [the exhibition] – we got fucking mobbed. But actually going in there with Liam and seeing what I did see was pretty emotional. I spoke to Paul Slattery, who's got a lot of pictures up, and me and Liam gave him big hugs and made plans to catch up. We looked at each other and went, 'Is it really 20 years ago?' Mental, man – time flies." Bonehead said that the decision to attend the opening was made just a day before. "It was a case of, 'Are you going down?' He was like, 'No.' Then a phone call yesterday, he said, 'Are you going tomorrow?' I was like, 'Not really, I'm doing a gig in Weston-super-Mare tonight. Are you going?' He said, 'If you're going, I'm going,' so I booked a hotel and drove over. I'm glad we made the effort – we both said tonight that we're glad." He also explained the absence of other former bandmembers. "Alan White's in Spain, Guigs [Paul McGuigan] couldn't make it and Noel's recording, so we had to come really. It's good that some of the bandmembers made it. Liam is Oasis, so the fact he turned up and had pictures with people is great." Bonehead now plans to return for a private view so he can see the exhibition properly. "My son's a big Oasis fan all of sudden and he wants to come and see it," he said. Part of the exhibition involves a recreation of the sleeve from 1994's debut album 'Definitely Maybe', which was shot in Bonehead's living room in Didsbury, south Manchester. It contains items seen in the original image from Bonehead's own home. "I actually did put a lot of the original artefacts in it – sofa cover, fire surround, ashtrays, light fittings," he said. "The stained glass was built into my house so I couldn't take it out. I've moved house since then but I took it all with me." Curated by photographer Lawrence Watson, the exhibition documents major events such as the band's shows at Manchester's Maine Road and Knebworth plus the creation of their albums 'Definitely Maybe', '(What’s The Story) Morning Glory?' and 'Be Here Now'. It features previously unseen images from photographers Jill Furminovsky, Paul Slattery, Tom Sheehan, Kevin Cummins and Jamie Fry. Also on display are some of the instruments played on the band's early albums, which have been loaned by band members themselves, as well as merchandise, artefacts from the album sleeves, tour documentation and rare video footage. The exhibition is taking place to mark the reissue of the band's 1994 debut album 'Definitely Maybe' on May 19." No? |
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Nov 4, 2024 5:04:30 GMT -5
Nov 4, 2024 5:04:30 GMT -5