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Post by seamywham on Feb 13, 2016 5:20:03 GMT -5
Nothing amazing but I found it quite funny. February 2000: May 2000: Nice purple colour scheme of a cityscape, where did you get that idea from Iron Maiden?
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Post by kennerado on Feb 17, 2016 1:18:47 GMT -5
Mike Rowe plays piano throughout ALL of 'Dirty Shirt. Most is buried beneath the wall of sound.
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Post by Deleted on Jan 17, 2017 17:17:28 GMT -5
You can hear a song by The La's at the very end of I Am The Walrus on Live by the Sea. I think Son of a Gun.
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Post by welshylad on Jan 17, 2017 18:09:48 GMT -5
The intro to Columbia from '96 (Knebworth etc) on guitar is the same as the intro to Cigarettes & Alcohol '01/'02 (Tomorrow Never Knows)
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Post by funhouse on Jan 17, 2017 18:11:24 GMT -5
The weird voice in the intro to Columbia sounds just like my brother (or at least when he were younger). I've played this sequence for family members at repeated occassions, hoping that someday they'll finally get it. Still hasn't happened. Now I'm starting to think that maybe my ears have just been fucking with me this whole time.
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Post by owenwxm on Jan 17, 2017 18:35:20 GMT -5
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Post by steve020409 on Jan 19, 2017 1:25:36 GMT -5
Cowbells on Roll With It. I just notcied this, but I'm not sure if it's true.
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Post by The Chief on Jan 19, 2017 9:56:55 GMT -5
Cowbells on Roll With It. I just notcied this, but I'm not sure if it's true. Unfortunately yes.
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Post by mightyi on Jan 26, 2017 17:59:54 GMT -5
New poster so bear with me. I've scrolled through 35 pages and no-one has mentioned it so I hope to feel smug: Robbie Williams appears on Cum On Feel The Noize. He's the guy that starts saying 'cos it's wild, wild, wild' before he gets drowned out by two other voices at the very very end.
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Post by Deleted on Jan 26, 2017 18:19:24 GMT -5
Cowbells on Roll With It. I just notcied this, but I'm not sure if it's true.
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Post by My Big Name on Jan 27, 2017 3:17:55 GMT -5
In Magic Pie about six minutes in there are about four weird clicking sounds.
Don't know if I'm the only one to notice this though.
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Post by Beady’s Here Now on Jan 27, 2017 7:11:50 GMT -5
I've noticed that........The reunion is IMMINENT.
Mint.
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Post by Deleted on Jan 27, 2017 10:09:42 GMT -5
I've noticed that........ The reunion is IMMINENT. Mint. How many threads will you make when it happens?
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Post by Beady’s Here Now on Jan 27, 2017 10:18:21 GMT -5
I've noticed that........ The reunion is IMMINENT. Mint. How many threads will you make when it happens? Don't jinx it.
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Post by davidjay on Jan 27, 2017 13:17:14 GMT -5
In Magic Pie about six minutes in there are about four weird clicking sounds. Don't know if I'm the only one to notice this though. I wondered about these as well. They're more apparent when listening on headphones, as I recall. I asked the album's mastering engineer Mike Marsh about this and he replied as follows. There’s a static-type clicking in the song Magic Pie (heard at 5.59 and 6.06) – was this one of the sound effects on the original mix or perhaps a glitch in the original master recording?Mike: Yeah, I remember hearing that and thinking “shit, we’ve got a problem” and my alarm bells started ringing. Thankfully, it was on the master tape and was always a part of the original recording! Full interview: www.oasis-recordinginfo.co.uk/?page_id=156
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Post by My Big Name on Jan 27, 2017 14:15:03 GMT -5
In Magic Pie about six minutes in there are about four weird clicking sounds. Don't know if I'm the only one to notice this though. I wondered about these as well. They're more apparent when listening on headphones, as I recall. I asked the album's mastering engineer Mike Marsh about this and he replied as follows. There’s a static-type clicking in the song Magic Pie (heard at 5.59 and 6.06) – was this one of the sound effects on the original mix or perhaps a glitch in the original master recording?Mike: Yeah, I remember hearing that and thinking “shit, we’ve got a problem” and my alarm bells started ringing. Thankfully, it was on the master tape and was always a part of the original recording! Full interview: www.oasis-recordinginfo.co.uk/?page_id=156So is he trying to say that they're intentional? If so then what was Noel Thinking?! It doesn't add to the song whatsoever and just makes people think that their CD is broke.
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Post by davidjay on Jan 27, 2017 14:58:00 GMT -5
I wondered about these as well. They're more apparent when listening on headphones, as I recall. I asked the album's mastering engineer Mike Marsh about this and he replied as follows. There’s a static-type clicking in the song Magic Pie (heard at 5.59 and 6.06) – was this one of the sound effects on the original mix or perhaps a glitch in the original master recording?Mike: Yeah, I remember hearing that and thinking “shit, we’ve got a problem” and my alarm bells started ringing. Thankfully, it was on the master tape and was always a part of the original recording! Full interview: www.oasis-recordinginfo.co.uk/?page_id=156So is he trying to say that they're intentional? I read Mike's comment there as clarifying that those static-type sounds were always part of the original stereo mix of Magic Pie, rather than being a glitch introduced during the mastering and manufacturing stages. Not necessarily a creative decision by Noel, just one of a number of extraneous sounds picked up during either the tracking or mixing session. From his reply I gather that Mike heard the clicks in the mastering studio, initially thought there was a problem there, but checked the original mix again and was relieved to confirm that the sound was already part of the recording as delivered to him. I haven't checked this against the Chasing the Sun remaster tbh - I guess it would be more straightforward to remove these kind of clicks these days if they wanted to, using digital audio restoration software (such as Izotope RX5), which can seamlessly remove such artefacts.
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Post by steve020409 on Feb 1, 2017 18:53:53 GMT -5
At the end of wonderwall, you can hear the intro of supersonic played acoustically
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Post by bathqueen1 on Aug 21, 2018 9:59:13 GMT -5
The solo of Who Feels Love is EXECTLY the break from Strawberry Fields Forever played backwards
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Post by Beady’s Here Now on Aug 21, 2018 10:32:53 GMT -5
Sometimes I feel like I’m the only one who notices Oasis.
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Post by agirlcalledanna on Aug 21, 2018 11:53:54 GMT -5
Liam's getting fat again.
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Post by crisppacket on Aug 21, 2018 13:51:41 GMT -5
Anyone else hear Liam sing “while we’re limping” on what would be the fourth “while we’re living” on fade away? Or is it my imagination ☹️☹️☹️
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Post by The Crimson Rambler on Dec 5, 2018 10:12:14 GMT -5
I read an interesting little titbit the other week which could help define dates for demos (such as this unusual one), pages in Noel's 1993 notebook and the like. In a review of an Oasis gig at Canal Cafe Bar (14th Sep 1993) the journalist makes the interesting note that 'Shakermaker' (of which this is the band's first live performance) was " apparently written 48 hours before they came on stage". Liam and Noel are well documented making easily disproven and exaggerated remarks but this fits perfectly within the timeline and what we already know. Whilst we're talking about 'Shakermaker' I imagine not many know that the original lyrics to the song, which seemingly this very early performance would have used, don't actually contain the infamous " I'd like to buy the world a Coke" line which showed up in early demos, live performances and had to be edited out of the official version. You can read the original lyrics from Noel's 1993 notebook below. Perhaps this is why this possible hot topic isn't mentioned in the review. By the time the band came around to demoing the song a couple of minor lyrical changes were made, an additional set of " Ah! Shake along with me"'s were added, verse 2 was scrapped and replaced with verse 3 and a new verse of " I'd like to teach the world to sing, In perfect harmony, I'd like to buy the world a coke, To keep it company" filled where verse 3 had originally been. Much later when the band realised they needed a new verse to replace The New Seekers one, " Mister Sifter sold me songs, When I was just sixteen" were the only new lyrics written. The second half of that verse had already been written long ago, it had simply been scrapped. This is actually alluded to in a Creation Records statement in which they claim " Oasis decided as far back as the recording of the album that they would not put out the live version of the song, but use the original lyrics to the song as written by Noel Gallagher. It therefore does not include the offending line." The fact they had to rerecord verse 3 suggest the main sentiment of this statement is however untrue.
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Post by World71R on Dec 5, 2018 23:37:33 GMT -5
Two things: Related to the pink picture in your original post, I really wish they had done something with Alive. That song had potential if it could've been worked on a bit more. Also, I really like these lyrics to Shakermaker, as opposed to the ones on the album version. The album version lyrics don't make much sense while these do to a certain degree. If we had the power to go back in time and change things, I'd have the album version get those lyrics, except put the Mr. Sifter's reference in there somewhere still.
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Post by The Crimson Rambler on Dec 6, 2018 6:36:30 GMT -5
Two things: Related to the pink picture in your original post, I really wish they had done something with Alive. That song had potential if it could've been worked on a bit more. Also, I really like these lyrics to Shakermaker, as opposed to the ones on the album version. The album version lyrics don't make much sense while these do to a certain degree. If we had the power to go back in time and change things, I'd have the album version get those lyrics, except put the Mr. Sifter's reference in there somewhere still. I consider 'Alive' one of the lesser tracks of the DM era but yeah, I agree it would have been cool to hear a full studio version of it. I'm guessing Noel didn't think it was worth their time which is a fair analysis. I'm a big fan of Noel's early surreal lyrics like on this and 'Supersonic'. I think they're pretty inventive and create a vividly bizarre world. Noel's always been quick to emphasize that they are meaningless and as far as I'm concerned that's totally fine. It's about creating a mood. Combine this with the Beatles-esque bouncy guitar work and Liam's slow, drawn out delivery and in this regard the song is very successful.
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