Not been impressed by Sardy's production on Oasis/HFBs albums - and even less so when Noel let slip on the radio that he was getting paid £250,000 for his trouble (unless he was joking).

The drums on HFB are horrendous - and this was after they'd been rerecorded!

"Noel's songs were great. The recordings needed fixing. I think he started out doing demos and then the excitement grew to the point where he thought he was done. It was presented to me like, 'Here's the album, when are you available to mix it?' [..] I flew to the UK and sat down with Noel, and I went through it song by song and what I thought the problems were. By the time we got to the fifth song, he had his head in his hands, and he was like, 'What are you trying to say?' And I said, 'I'm not trying to say. I'm telling you.'; We went through each song measure by measure, and every fifth measure or so I'd say, 'And what about this?' or 'What about that?' It wasn't like I said anything that was a shock to him; I just think he was used to the way everything sounded. At the end, he said, 'Well, how do we change it?' And I said, 'Don't worry, leave it up to me.' He had built a beautiful house, but it was sitting on a tarpit. We had to move it and put it on a better foundation."

Noel had said that when working on the basic demos for the album at the time of the album's beginning stages of production, "Dave said he thought he could make it 10 percent better by re-recording some drums and bass and things. Watching Dave make it sound like a group when it's really just me and a click track was just a fantastic experience. I love Dave Sardy. He's great at what he does. He's great at what I'm not great at. In fact, I don't know exactly what he does, but he's brilliant at it. He really digs my songwriting, and he brings the best out of me because what he does inspires me."

"I'm pleased [with the production of the album], and I'm just glad to play it for the people."