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Post by Cast on Jan 7, 2014 13:30:01 GMT -5
what a song. Perfect way to end that album.
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Post by Let It🩸 on Jan 14, 2014 8:00:53 GMT -5
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Post by Let It🩸 on Feb 27, 2014 22:27:13 GMT -5
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Post by Cast on Feb 27, 2014 23:40:46 GMT -5
Some days my mind still can't comprehend just how amazing The Velvet Underground was/is.
I listened to White Light/ White Heat the other day and it's still exciting as hell. Sister Ray might be the ultimate rock n' roll statement. The Gift is always an interesting listen if you pay attention. I Heard Her Call My Name and White Light/White Heat are two of the best rock n' roll songs of all time. Still hear that influence in todays music. Lady Godiva's Operation and here She Comes Now are fine literary and art-rock ballads.
The 4 albums they made are just... WOW.
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Post by Let It🩸 on Feb 28, 2014 8:18:02 GMT -5
Some days my mind still can't comprehend just how amazing The Velvet Underground was/is. I listened to White Light/ White Heat the other day and it's still exciting as hell. Sister Ray might be the ultimate rock n' roll statement. The Gift is always an interesting listen if you pay attention. I Heard Her Call My Name and White Light/White Heat are two of the best rock n' roll songs of all time. Still hear that influence in todays music. Lady Godiva's Operation and here She Comes Now are fine literary and art-rock ballads. The 4 albums they made are just... WOW. great, great band. i recently saw Lou Reed's live performance of his solo album, Berlin on the Palladia channel.....worth checking out if you've never seen it. God bless.
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Post by Let It🩸 on Mar 23, 2014 16:35:50 GMT -5
I read that Loaded is being re-issued for Record Store Day....
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Post by Let It🩸 on Mar 24, 2014 20:19:39 GMT -5
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Post by Let It🩸 on Nov 24, 2014 19:24:19 GMT -5
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Post by Lennon2217 on Nov 24, 2014 19:32:48 GMT -5
Attention:
Lou Reed was the fucking man.
Thank You.
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Post by Lennon2217 on Nov 24, 2014 19:50:06 GMT -5
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Post by Cast on Dec 6, 2014 3:49:37 GMT -5
I highly recommend the 45 Year Deluxe Version of The Velvet Underground. It is a really good collection of 6 CDS. The new mixes are great.
My ears have fallen in love with the closet mix on disk 2.
The 4th CD is from a session that was pre-Loaded. Most of been released before (VU,ect) but they sound better in this collection because of better mixes and album continuity.
The last two CDs are a 1969 performance from The Matrix. Nicely recorded and its a expansive performance. It features a 36 min long version of Sister Ray. I'm always game for new live recordings from the Velvets.
I dearly love every album that the band made and this was a nice gem.
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Post by Let It🩸 on Apr 19, 2015 14:20:23 GMT -5
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Post by Let It🩸 on Sept 1, 2015 17:42:01 GMT -5
'Rock 'n Roll' by the Velvet Underground is about the only song in my iTunes library that I'll never skip.
God bless.
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Post by Cast on Sept 2, 2015 0:48:37 GMT -5
The Velvet Underground fuckin rocks. One of the GOATS as far as I'm concerned. Seriously those four albums are pretty much perfect in their own unique way. Great dynamic with the band, and Lou was on a songwriting roll while he was in the band.
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Post by carryusall on Nov 9, 2015 0:43:22 GMT -5
I still miss Lou. It's weird, I know it's a weird way to feel about a famous person you never met. But I always related to Lou. For me he's one of the very best singers and songwriters. I know he's not what's considered a conventionally good singer, but he has such depth and nuance, and transmits so much emotion. He's far more subtle than his immediate contemporaries, Dylan and Jagger, and even slightly more than Leonard Cohen. I saw him live twice before he died. Wish I'd stayed afterwards to say hi to him, I heard someone say it wasn't hard to meet him. Just never thought he'd die, he seemed invincible.
I'm just going through a pretty bad breakup and Lou's music seemed the obvious place to go, so I've been listening to loads of his stuff lately. It's easy to relate to Lou, more so than most other artists, because he was a deeply flawed person. I mean everyone said he was an arsehole. He beat his wife. He had no regard for his fans. But that makes him more human, and means a song like 'Coney Island Baby', which in someone else's hands would merely be a great song, becomes a truly transcendent experience.
Lou has a lot of great stuff to soundtrack a breakup. Both good and bad, sad and angry. 'Temporary Thing' from Rock n Roll Heart seems a good place to start, but a little obvious. As a whole record, Street Hassle is fragile and self-lacerating, but bitter enough to keep itself afloat. 'Perfect Day' and 'Satellite of Love' hit hard. 'Pale Blue Eyes' devastates. The ballads from 'Take No Prisoners' are intense and funny, which only makes them sadder. Lou's 'marriage albums' (Growing up in Public, but more so The Blue Mask and Legendary Hearts) have formed most of my listening lately. The last suite of songs from The Bells are pretty sad too. 'Families' from that record isn't really a breakup song, but I had to go back to my parents house for a few days, so there's that. Haven't listened to much Velvets stuff, but the 'Shelley if you just come back it'll be alright' from 'I Can't Stand It' hits pretty hard, although the song is pretty funny. Sally Can't Dance is nasty fun, although reminds me of a boot of the title track Her Dad gave me. On a cassette. Still no idea how I'll ever play that. I don't have a cassette player, I mean who does? Still a nice touch though. Haven't touched Berlin. Not for the obvious reasons, I've always found it too over baked to be affecting. Most of the songs have better versions elsewhere too. But I remember distinctly listening to that record on a grey overcast day, the day after a great week of parties, but a huge stretch of empty time ahead of me. It was the night after me and her met, and I figured I had the time to indulge in a little teenage self-pity, so I put on Berlin. But I couldn't get into it, and she called me up out of the blue. And in the years since, this is really the first time I've gone a while without speaking to her. It's odd man. 'I'm gonna stop wasting my time/Somebody else would have broken both of her arms' is a pretty brutal line from that record. Most of the time Lou makes me feel better because he reminds me I'm not the only bad guy in the world. That line makes me shiver a bit and reminds me I'm not such a bad guy really. In the scheme of things. Lou really could be a bad guy, it takes a while to wrap your head around. Once you do though, it makes a song like 'Pale Blue Eyes' a towering achievement. And I'm not going anywhere near Coney Island Baby. That was one of our songs. For one Christmas we both ended up buying each other that record. Just by coincidence. I thought that was sweet. But that's my favourite Lou song, and when I can bear to listen to it, I know it'll give me solace and perspective.
'But remember the princess who lived on the hill, Who loved you, even though she knew you was wrong. And right now she just might come shining through, And the glory of love, the glory of love, glory of love, Just might come through.'
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Post by Cast on Nov 9, 2015 1:10:10 GMT -5
^Awesome post man.
I'm going through a post-breakup thing as well and I understand where you're coming from on a lot of this. Like I've already said, Lou is up their with the greats in my opinion, like with the Beatles, Smokey Robinson, Gaye, etc. His run with the Velvets is insane and his solo career has an interesting arc and its littered with gems. No one writes like him. An everyday lyrical poet. Such a variety in his catalog as well. Check out 'Over You,' the velvets only performed it live (really like the Matrix version), but damn what a fantastic song great relaxed guitar playing.
Loaded just got its 45 anniversary release. Remasters sound really good (duh). The Max's Kansas City performance is electrifying. Might not be the best, but considering the band was on its last legs you can hear the urgency in the performance.
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Post by Lennon2217 on Nov 9, 2015 6:21:15 GMT -5
Some truly great posts going on in this thread. I was lucky to catch Lou solo in 2008 in NYC. He was fantastic.
I've always been a huge fan of this alternate/demo of "I Found A Reason". Big Dylan vibe going which I like.
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Post by carryusall on Nov 9, 2015 8:55:39 GMT -5
^Awesome post man. I'm going through a post-breakup thing as well and I understand where you're coming from on a lot of this. Like I've already said, Lou is up their with the greats in my opinion, like with the Beatles, Smokey Robinson, Gaye, etc. His run with the Velvets is insane and his solo career has an interesting arc and its littered with gems. No one writes like him. An everyday lyrical poet. Such a variety in his catalog as well. Check out 'Over You,' the velvets only performed it live (really like the Matrix version), but damn what a fantastic song great relaxed guitar playing. Loaded just got its 45 anniversary release. Remasters sound really good (duh). The Max's Kansas City performance is electrifying. Might not be the best, but considering the band was on its last legs you can hear the urgency in the performance. Thanks, I'm glad someone read and liked it The Velvets career was flawless and they have an incredible amount of unreleased material, particularly only played live. Completely forgotten about Over You tbh, some of these live songs fall through the cracks. Quite tempted by the Loaded re-release, but I already bought the fully-loaded one a few years back. I actually think Lou's seventies career was very consistent, and tbh there's not really a Lou Reed album I don't like. Sally Can't Dance is great, Mistrial is fun, Lulu is inconsistent but has three amazing songs that are as good as anything else he ever did. And what an opening line. I guess the Raven isn't great, only listened to it once or twice. Steve Buscemi's lounge act sounds like Lou, but not as much as it sounds like Steve Buscemi. Been playing the Dispatches from the Dream factory boot a lot lately. Anyway, I hope you're doing ok with what you're going through mate.
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